Mastering & Creating Your Final Mix Like the Pros (Mastering Process).

The mastering procedure enables you to perform final adjustments after you have actually mixed your multitrack recordings down to 2 stereo tracks (we'll leave quad and 5.1 surround-sound situations for another day.) Some adjustments are made to enhance a particular song's sonic quality. Others are made within the context of an album - making sure that many tunes strung together have a similar sonic "consistency." Normal areas of issue for a mastering engineer are: equalization (eq), compression, levels (volume) relative from one song to the next, and spacing in between songs. Equalization: In some cases you'll want to change the eq or compression on a mix after you've done the last mix. Or you might have ten tunes mixed by 3 different engineers in 5 various studios.

Each song's eq may seem ideal by itself, but if you series them together, all of a sudden one song sounds too intense (or too dull ...). Suggestion # 1: keep in mind that any eq modifications to your stereo mix affect the entire mix - if you desire to cut 3 db at 80Hz because your mix sounds muddy, keep in mind to check how that affects all the instruments (e.g. the vocal), not simply the bass guitar and kick drum. Compression: In mastering, this is utilized not just to control a mix or to include character, however also to "print" or send as much level to the master as possible without clipping the signal.

Spacing & Crossfading.

Spacing: there are various viewpoints as to how one must approach the spaces put in between songs on a record. Some feel the downbeat of one tune ought to fall at the start of a brand-new bar, in the pace of the previous song (to continue the circulation.) Others believe you must avoid this like the plague, since it decreases the impact. In the end, do whatever feels. There is no standard. Cross-fade your songs if you like, or location 6 seconds in between them. (2-4 seconds prevails in many popular, non-classical records, but it depends on you.) Last tip: you might be inclined to master the very same recordings that you combined, whether it is for monetary factors, imaginative factors, or merely since you can. We strongly suggest that you get someone else to master your job. The objectivity and fresh ears they give the table invariably lead to a stronger, more cohesive album.


Normal areas of issue for a mastering engineer are: equalization (eq), compression, levels (volume) relative from one song to the next, and spacing in between tunes. Or you may have ten songs blended by 3 different engineers in five various studios.

Each tune's eq may appear best by itself, but if you series them together, suddenly Free Type Beat Hip Hop one song sounds too intense (or too dull ...). Tip # 1: remember that any eq modifications to your stereo mix affect the whole mix - if you desire to cut 3 db at 80Hz because your mix sounds muddy, keep in mind to examine how that affects all the instruments (e.g. the vocal), not just the bass guitar and kick drum. Compression: In mastering, this is utilized not just to manage a mix or to include character, but also to "print" or send out as much level to the master as possible without clipping the signal.

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